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| Photography Costs and Such...I am commonly asked what I charge for a session, as well as asked what should be charged for a session for those of you who are just starting up in photography. I read this over on another blog, who in turn read it on another photogs blog, etc. It's getting passes around a bit so some of you may have already read this that I am posting here, but I think it explains things well in regards to being in business for yourself in photography:
"The digital revolution has brought amazing flexibility and ability to control various factors during the image taking and making process. Photographers, the hobbyist, the professional, the amateur all benefit from this ability to manipulate pixels. However, with flexibility comes a price. Digital camera equipment is still considerably more expensive when you factor in its’ lifespan, the need for additional resources for processing those images, the time it takes to get a usable image and the effort that goes into creating a work of photographic art.
We all know that you can go to the local Walgreen’s and pay a $1.99 for a print - as a client you may wonder why you may pay upwards of $50, $70, $90 for a custom photography print. Photographers hear this statement every once in awhile:
“How in the world can you charge $60 for an 8×10 if it costs me less than $2 to print at x store?”
The truth of the matter is the answer to this question is multifaceted. Much of the cost of a photographic print produced by a professional photographer has a lot to do with the time, equipment costs, artistic vision and reputation of the photographer not to mention expertise and the usual costs of running a legitimate business.
The cost of TIME
Approaching it from a time standpoint, let’s imagine that you have hired a photographer who has work that you love. This photographer is traveling an hour to your destination to photograph your session. Here is an example of a time break down:
session prep time (30 mins - 1 hour, includes equipment and back up equipment checks + vehicle checks)
one hour travel time TO session
15-30 minutes prep time at client’s home
90 minutes-2 hours with client photographing subject
one hour travel time FROM session
30-45 minutes uploading time from digital cards from camera to computer
30-45 minutes time spent backing up the original images
2-5 hours editing time to present you with a diverse gallery of edited images
1 hour prep time getting ready for ordering
2-3 hours time with client for ordering images
1 hour sorting through and checking order
30 minutes-1 hour prep time for delivery
30 minutes-1 hour getting order shipped
any additional phone time or time needed for add on ordering, shipment issues, quality issues
In this example, the time spent per client can range from just under 13 hours to 19 hours - dependent on the photographer’s level of service. This is time dedicated only to ONE session. When the photographer charges $150-$300 for the photo shoot (aka SESSION FEE) you are not just paying for the two hours of session time, you are paying the photographer for 12-19 hours complete time for your session.The COSTS of Maintaining a Custom Photography Business:
Regarding equipment costs, a good quality professional camera with a selection of good optical quality lenses and digital storage mediums and computer set up can run from $10,000-$30,000 costs dependent on the photographer. Even though you can purchase a really good quality digital SLR for about $2100 there are still other costs related to photography. A good lens for portrait photography can run from $900 to $2500. A dependable computer system with software loaded for business and creative usage can run $2500 to $8000 dependent on the photographer.
Then come lab costs for specialty products. A good photographer knows the lab is integral to their success. Photography labs dedicated to the professional photographer often cost more and offer a range of products that allows the custom photographer to continually offer new, innovative products for you, the discerning client.
Discussion other costs of running a photography business could take awhile so we’ll skip many of the intricate details. There is of course much more: including costs of running the business, taxes, studio rental/mortgage if the photographer has ownership of a dedicated studio, vehicular costs, costs of advertising/marketing, costs of sample pieces that the photographer will likely bring to your session, etc.
APPLES to ORANGES to BANANAS:
Often times clients will mention to their photographer that X studio in the mall/department store only charges $19.99 for an 8×10 “sheet” or they may mention other things related to discount photography chains. The fact is those discount chains make their money on volume, not on customized 1:1 service. In February 2007 leased photography retail space by a rather well known discount department store that started in Arkansas closed down 500 of their portrait studios across the nation? The reason is simple, you cannot make money on 99¢ “professional” prints if you do not sell enough of them. Interestingly enough - those same studios that offer the loss leader packages often charge much much more for their a la carte pricing (as high as $40-50 for an 8×10). The whole reason the big department stores began offering portrait services in the first place was to get you, the savvy consumer, in through their door so that you could spend more money with them in other departments. Your “PORTRAITS” are considered the “loss leader”.
Going to a chain studio, as a consumer, you don’t have the benefit of 1:1 attention for 2 hours at your home where your child is allowed to explore, play and be comfortable in their home environment, nor do you get the experience that many custom photographers are known for or the lovely captures of natural expressions. You simply get a bare bones, “SAY CHEESE” experience. Keep this in mind when selecting a photographer.
REPUTATION/EXPERTISE of the PHOTOGRAPHER:
Being in demand, being well known for quality work, having a good reputation often costs time on the photographer’s part. Their expertise comes at a cost, their time learning their craft and learning the intricacies of lighting and the commitment put forth on their end to create a persona about their business that oozes professionalism. A great number of photographers go a very long time from the time that they purchase their first good camera to making money at the business of photography. Many photographers, when first starting out, rush in thinking that the business will be easily profitable in no time, how expensive could it be to get a camera and use it to create their dream? They often neglect to factor in the cost of business, the cost of equipment, software, back ups, etc..
Being of sound reputation, a better professional photographer knows that they must always reinvest in their business to create the reputation of being top notch. To create good work good equipment, reliable equipment, back up equipment is a necessity. The photographer who desires to be known as better/best/unparalelled reputation-wise knows that the most important thing they can do for their business is reliability and dependability. This is how reputations get built. Good work often is a wonderful side product of building that good reputation."
Those of you who have asked me about the start up costs and time of a good professional photography business ~ the above is a good answer and pretty accurate. :)
a. ann~
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| Nearing the END ~ i.e.: pre-baby personal pregnancy post.I supposedly have a week, two at the most, left in my pregnancy ~ I was thinking I'd take one last set of maternity shots before baby GIRL comes. For myself, I'm not much for the naked belly shots and not much of maternity photography has really appealed to me - but I still like to capture each stage, and especially last few months of my pregnancy...
The portraits I always have in my mind I'd like to do, or have while pregnant, I just can't seem to pull off on my own~ Wave type dress in a field of tall grass or lounging on some cool couch in the inner city... 
Doing it self-portrait style, my creativity seems limited to what I can ideally set up and still keep the portraits in focus. (Chels, I needed you!) I was organizing the outdoor shed this past week with the kiddos and after we finished there was so much more space than I had thought we'd have!
This was good! Because the wall that remained had nice side light and I suddenly got motivated to make a "studio" of sorts in the shed. There is a door that allows light from one side, and then about six feet from the wall there is a large window that brings in light for natural front lighting. I'd love to punch out one more window on the other side of the door to give lighting on both sides of the subject. 
I recovered the box that had black felt I had packed away, in the midst of organizing, and so we tacked the felt up on the wall, which covered down to the floor too - and then one of the boys vacuumed it for me. I set up a tri-pod outside the open window of the shed and simple used my action mode on automatic timer and also my (M) on a medium ISO.
So here's to my last pics pregnant (documenting swollen hands and face one last time ) - me and a few odd items sitting around my shed ~ 
  
  
  
  
(Thanks, Kel, for the so fun dress/shirt! It has worked nice for some color this last bit of my pregnancy!)
(Thanks to thrift-store shopping, maternity wear didn't have to be boring this spring... oh, and I pulled out my soft focus filter for this one - something I haven't used in a long time!)
(My every Sunday dress for the last month! Since it's the only one left that fits. I honestly won't miss it after the baby is born, but sure grateful for a comfy item to wear here at the end.)
a. ann~
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